Anatomy of a hard cover book

Hard cover books are the most durable style of book because of the sturdy binders board used for the covers, along with a strong sewn binding. .

Parts of a Hard Cover:

  • Covers
  • Endsheets
  • Text block
  • Optional dust jacket or additionals

Hard cover binding is referred to as Smythe sewing or section sewn.

In a nutshell, sheet fed presses print both sides of large press sheets which usually have 6 or 8 text pages per side. The printed sheets are called signatures, and each signature is folded and collated and sewn with binding thread. Endsheets are applied to the top and bottom of the book block and all are glued on the folded side and gauze applied on top.

 Left: Stacks of Smythe sewn books ready for the cover, with detail of the sewing

Left: Stacks of Smythe sewn books ready for the cover, with detail of the sewing

Finally the cover material, which has been foil stamped and wrapped around the binding boards, is now ready to be glued to the endsheets. The cover is glued, and the glued endsheet hides the edges of the cloth or paper wrapped around the boards. The book block IS NOT glued to the spine. Gauze can be extended from the spine area to the front and back of the book, glued between the board and the endsheet, and that is called "library" binding or reinforced first and last signatures. Tape can be used instead of gauze, which is a little tidier. This is only suggested for large, heavy books.

 
 The 3D Photography Book has a litho or printed 4-C cover with glossy film lamination

The 3D Photography Book has a litho or printed 4-C cover with glossy film lamination

cover options

Hard covers can be covered with printed paper (as above) covered with matt or glossy film lamination, or with colored binding papers, (such as Rainbow or Arlin) or cloth,  leatherette, exotic leathers and papers, etc.

Recommendations: We prefer the classic look of a cloth bound book with a printed dust jacket, or the cover printed (litho) + matt film lamination with a glossy film laminated jacket on top.

  Seasons  4-C endsheets printed on self ends, using 157 gsm (100#) matt art.

Seasons 4-C endsheets printed on self ends, using 157 gsm (100#) matt art.

endsheet options

Endsheets can be white, colored or printed. Colored endsheets come in many hues and textures. Printed endsheets can be 1 color (PMS) 2 or 3 PMS colors or full 4-C printing.

Note: You can have the spread of endsheets that you see when you open a book printed and leave the one opposite the title page white, and this is less expensive to do, (in that case you would ask for printing on one side of the sheet (1,2,3 or 4 colors/0)

Recommendations: We prefer classic natural white endsheets, thicker than normal, say 180 gsm (120#) instead of 140 gsm (90#). If you do something special, try to develop a brand look throughout your book line.Often special endsheet treatment can create a distinctive look to your line.

extras

Extras are wide ranging, from ribbon markers, to die cut covers, to gilded book block edges. They include individual slipcases to clamshell presentation boxes, exotic foil stamping, embossing and debossing on covers and multiple spot UV applications, to name a few.

Note: Usually extras cost quite a bit more and are not advisable for short runs.

Recommendations for extras:

For crowd funding projects run one book block and then use different cover treatments to make soft covers, hard covers and Limited Editions in one mixed run for best value.

Limited Editions are great donor gifts for museums where a small number of slipcases can be added for a very reasonable cost, even if the main run was a soft cover book, some copies of the book can be made into hard covers by hand in Asia.

Children's Picture Books

Almost all children's picture books are hard covers with either 24 or 32 pages of text. These are good candidates for printing in the US if the run numbers are small, between 500 and 1,000 copies.

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a closer look at the binding

The mustard colored element above is called a head band; it has an extended piece of reinforcing cloth on the side we can't see and this strengthens the spine of the book and gives a decorative edge to cover up the top of the text block. The book block is NOT attached to the cover of the book, you can see that clearly above. This allows the book to open fully for better reading.

Note: A round backed spine is the oldest type of spine, and is more durable than a square backed spine. Above is round.

head band options + foil

Head and tail bands come in many colors and weaves. Above are some of the fancier varied weaves, but a solid color is also very appropriate.

Foil stamping for the front cover and spine is standard. It comes in metallics as well as solid matt or glossy colors.

Note: Colored paper covers take foil stamping much better than cloth, and can be quite intricate. Try not to use more than one color of foil on a book cover, the foil will cost twice as much if you use two. Paper is generally cheaper than cloth.

 French fold dust jacket has a folded top and bottom edge.This keeps the dust jacket from tearing along the top and bottom edges.

French fold dust jacket has a folded top and bottom edge.This keeps the dust jacket from tearing along the top and bottom edges.

Dust Jackets

Dust jackets can cover any type of hard cover, and sometimes they are use on soft covers as well.

They usually have a 3" - 5" flap front and back.They are a way to personalize some of the books by adding an extra line or two./They are generally printed on 157 gsm (100#) glossy art paper with either matt or glossy film lamination on top. 

 

Recommendations on paper weights:

  • For art or photography books the first choice is usually 100# art (157 gsm); matt for art books and glossy for photography books.
  • Children's books are usually printed on 100# matt art.
  • Large books with lots of pages with illustrations are usually printed on 80# (128 gsm) glossy or matt art. If 100# is used the book may become uncomfortably heavy. Make sure you have a dummy book made in the right paper weight so you can determine if the book is too heavy or not.
  • You can ask to see paper samples which they would then later use to make a dummy book.